Preview

Sticky Fingers (Super Deluxe)

The Rolling Stones

1971

Album


Sticky Fingers (Super Deluxe)

The Rolling Stones

Released: 23/04/1971

Genre: Rock

℗ 2015 Promotone B.V. under exclusive licence to UniversalInternational Music B.V.



  • 3:49
    Explicit Lyrics

    Brown Sugar

  • 3:52
    Explicit Lyrics

    Sway

  • 5:44
    Explicit Lyrics

    Wild Horses

  • 7:15
    Explicit Lyrics

    Can't You Hear Me Knocking

  • 2:33
    Explicit Lyrics

    You Gotta Move

  • 3:37
    Explicit Lyrics

    Bitch

  • 3:55
    Explicit Lyrics

    I Got the Blues

  • 5:34
    Explicit Lyrics

    Sister Morphine

  • 4:05
    Explicit Lyrics

    Dead Flowers

  • 5:57
    Explicit Lyrics

    Moonlight Mile

  • 4:07
    Explicit Lyrics

    Brown Sugar (feat. Eric Clapton)

  • 5:47
    Explicit Lyrics

    Wild Horses (Acoustic Version)

  • 3:24
    Explicit Lyrics

    Can't You Hear Me Knocking (Alternate Version)

  • 5:52
    Explicit Lyrics

    Bitch (Extended Version)

  • 4:17
    Explicit Lyrics

    Dead Flowers (Alternate Version)

  • 4:22
    Explicit Lyrics

    Live With Me (Live At The Roundhouse / 1971)

  • 3:48
    Explicit Lyrics

    Stray Cat Blues (Live At The Roundhouse / 1971)

  • 6:42
    Explicit Lyrics

    Love In Vain (Live At The Roundhouse / 1971)

  • 6:42
    Explicit Lyrics

    Midnight Rambler (Live At The Roundhouse / 1971)

  • 4:14
    Explicit Lyrics

    Honky Tonk Women (Live At The Roundhouse / 1971)

  • 3:59
    Explicit Lyrics

    Jumpin' Jack Flash (Live At University of Leeds / 1971)

  • 4:21
    Explicit Lyrics

    Live With Me (Live At University of Leeds / 1971)

  • 4:02
    Explicit Lyrics

    Dead Flowers (Live At University of Leeds / 1971)

  • 4:14
    Explicit Lyrics

    Stray Cat Blues (Live At University of Leeds / 1971)

  • 6:28
    Explicit Lyrics

    Love In Vain (Live At University of Leeds / 1971)

  • 6:28
    Explicit Lyrics

    Midnight Rambler (Live At University of Leeds / 1971)

  • 5:24
    Explicit Lyrics

    Bitch (Live At University of Leeds / 1971)

  • 3:20
    Explicit Lyrics

    Honky Tonk Women (Live At University of Leeds / 1971)

  • 5:31
    Explicit Lyrics

    (I Can't Get No) Satisfaction (Live At University of Leeds / 1971)

  • 4:26
    Explicit Lyrics

    Little Queenie (Live At University of Leeds / 1971)

30 songs, 2:23:49 total time, 310.44 MB

Song lyrics

[Verse 1]
Gold coast slave ship bound for cotton fields
Sold in the market down in New Orleans
Scarred old slaver knows he's doing alright
Hear him whip the women just around midnight
...

Brown Sugar

The Rolling Stones


[Verse 1]
Gold coast slave ship bound for cotton fields
Sold in the market down in New Orleans
Scarred old slaver knows he's doing alright
Hear him whip the women just around midnight

[Chorus]
Brown sugar how come you taste so good
Brown sugar just like a young girl should- ah hum oh..
Woo!

[Verse 2]
Drums beating, cold English blood runs hot
Lady of the house wonderin' when it's gonna stop
House boy knows that he's doing alright
You shoulda heard em just around midnight

[Chorus]
Brown sugar how come you taste so good now
Brown sugar just like a young girl should- now..
Yeah!

[Chorus]
Ah, get down on brown, brown sugar, how come you taste so good?
Ah, get down, get down brown sugar, just like a black girl should

[Verse 3]
Ah I bet your mama was a tent show queen
And all her boyfriends were sweet sixteen
I'm no schoolboy but I know what I like
You shoulda heard me just around midnight

[Chorus]
Brown sugar how come you taste so good, baby?
Ah, come down brown sugar, just like a young girl should, yeah

[Outro]
I said yeah, yeah, yeah, woo!
How come you...how come you taste so good?
Yeah, yeah, yeah, woo!
Just like a...just like a black girl should
Yeah, yeah, yeah, woo!
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Preview, The Rolling Stones, Sticky Fingers (Super Deluxe), music, singles, songs, Rock, itunes music Preview songs from the album Sticky Fingers (Super Deluxe), including "Brown Sugar", "Sway", "Wild Horses", "Can't You Hear Me Knocking", "You Gotta Move", "Bitch", "I Got the Blues", "Sister Morphine", "Dead Flowers", "Moonlight Mile", "Brown Sugar (feat. Eric Clapton)", "Wild Horses (Acoustic Version)", "Can't You Hear Me Knocking (Alternate Version)", "Bitch (Extended Version)", "Dead Flowers (Alternate Version)", "Live With Me (Live At The Roundhouse / 1971)", "Stray Cat Blues (Live At The Roundhouse / 1971)", "Love In Vain (Live At The Roundhouse / 1971)", "Midnight Rambler (Live At The Roundhouse / 1971)", "Honky Tonk Women (Live At The Roundhouse / 1971)", "Jumpin' Jack Flash (Live At University of Leeds / 1971)", "Live With Me (Live At University of Leeds / 1971)", "Dead Flowers (Live At University of Leeds / 1971)", "Stray Cat Blues (Live At University of Leeds / 1971)", "Love In Vain (Live At University of Leeds / 1971)", "Midnight Rambler (Live At University of Leeds / 1971)", "Bitch (Live At University of Leeds / 1971)", "Honky Tonk Women (Live At University of Leeds / 1971)", "(I Can't Get No) Satisfaction (Live At University of Leeds / 1971)", "Little Queenie (Live At University of Leeds / 1971)" and many more.

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"Brown Sugar" Track Info



Recorded in 1969 in Muscle Shoals studios, Jagger wrote the riff to this one while filming Ned Kelly in Australia. The song appeared on Sticky Fingers and is a staple of the Stones' canon.

Keef, in his book Life on Jagger's lyrics writing process:

They started running down Brown Sugar the first night, but they didn't get a take. I watched Mick write the lyrics. It took him maybe forty-five minutes; it was disgusting. He wrote it down as fast as he could move his hand. I'd never seen anything like it. He had one of those yellow legal pads, and he'd write a verse a page, just write a verse and then turn the page, and when he had three pages filled, they started to cut it. It was amazing!

The song is thought to have been inspired by soul singer Claudia Lennear, who was also the inspiration behind David Bowie's “Lady Grinning Soul”.

There are several different ways to interpret this song. The most straightforward is a meditation on white male on black female sex and how power has influenced it. Alternatively it could be more generally about interracial sex or black sex. Finally, as meta-fiction: Mick Jagger plunders the musical history of black people from slave rhythms, to spirituals, to blues, to honky tonk. And further is willing to proudly crow about how tempting and good they are.

The first reading is probably what was intended, but given the rollicking rock, the final is not inappropriate whether intended or not.